The Australian Chamber Orchestra's (ACO) Artistic Director Richard Tognetti and Managing Director Richard Evans have announced the Orchestra's 2018 season. Characteristically bold, ambitious and adventurous, the ACO's 2018 season will take audiences on an immersive journey that traverses from inspired interpretations of 18th and 19th century masterworks through to new music that will challenge the mind and ignite the senses.
For his 29th year at the helm of the ACO, Richard Tognetti will pay homage to some of the most monumental music ever composed, has invited some of music's brightest stars to make their ACO debut, and will premiere new music written by the world's most innovative composers. In 2018 the ACO will also celebrate the virtuosity of its own players, with ACO musicians including Satu Vanska, Timo-Veikko Valve, Maxime Bibeau, Ike See, Glenn Christenson and Julian Thompson performing as soloists in the season.
'The ACO is distinctive in its unerring desire to take risks, to push boundaries and to embrace the new," Tognetti said. 'To be successful in achieving this ambition, the musicians of the Orchestra must have complete trust in one another – not just technically, but musically and artistically; so the strength of each individual member is critical.
'In 2018 our audiences will have the opportunity to experience the virtuosity and musicianship of the ACO musicians first-hand, when many of our players take centrestage as soloists: from principal players like Tipi and Max, to some of our newest members, including Glenn and Ike who will together perform the Australian premiere of Anna Clyne's Prince of Clouds."
Opera megastar Nicole Car will give an exclusive orchestral performance in Australia with the ACO, in a program that celebrates women of strength and endurance, while cellist Steven Isserlis will reunite with Richard Tognetti and the ACO for a performance of Shostakovich's mammoth first cello concerto. Violinists Alina Ibragimova and Ilya Gringolts take on roles as guest directors for two programs of virtuosity and drama.
In keeping with their commitment to commission and perform new music that pushes the boundaries of convention, the ACO will perform four world premieres and two Australian premieres in 2018.
'The ACO's audience are distinctive in that they're musical adventures, who have a taste for the new as well as the established," ACO Managing Director Richard Evans said. 'The ACO and their audience will continue this journey through unchartered artistic territory, when the Orchestra gives world premiere performances of new music by composers including Elena Kats-Chernin, Samuel Adams and, in a special commission by the ACO, Missy Mazzoli, who will compose a work commemorating ACO Principal Double Bass Maxime Bibeau's 20 years with the Orchestra."
To open the 2018 season, Richard Tognetti and the ACO will join forces with the young guns of the Australian National Academy of Music (ANAM) to give an emotionally powerful performance of Brahms' Sextet in G major rearranged for string orchestra. This is an arrangement that is so rich, melodic and emotionally powerful that Richard Tognetti has termed it Brahms' -Fifth Symphony'.
Sonatas for Strings In a not-to-be-missed event, the ACO will give the Australian premiere of a bold new take on the monumental Goldberg Variations. Bernard Labadie's orchestral arrangement of Bach's masterpiece provides an illuminating transformation of the work while remaining faithful to its feel, an approach that resonates with the ACO's distinctive style. As part of a wider celebration of the Variations, the ACO will present the original solo keyboard version of the work performed by 2017 Helpmann Award winner Erin Helyard. This is a Bach celebration that juxtaposes the old with the new in an utterly unique and illuminating way.
The Orchestra will finish the year with a bang, in an all- Beethoven program featuring Richard Tognetti performing the composer's mighty Violin Concerto. It's been some 25 years since Richard Tognetti gave his first performance of the Beethoven Violin Concerto with the ACO back in 1993, and he last performed it with the Orchestra 11 years ago.
'There are so many things to say about the Beethoven Violin Concerto," Tognetti said. 'It's the first truly vast concerto; the first herculean concerto. It was the first concerto to position the soloist as a protagonist against the tutti part. The influence it has had on the repertoire cannot be over-emphasised."
In addition to their regular touring season, the ACO will return to Hobart and Darwin for two special concerts. It's been 20 years since the ACO's last mainstage concert in Tasmania's capital and 40 years since the ACO last performed in Darwin. These concerts are guaranteed to reignite the senses and set sparks flying as Richard Tognetti and Egyptian-Australian oud player and composer extraordinaire Joseph Tawadros together take on Vivaldi's magnificent Four Seasons interspersed with Tawadros' original works, in an arrangement praised by the Sydney Morning Herald as -incisively brilliant'.
Tognetti Tchaikovsky Brahms
The Season Begins
1 February – 16 February
Alina Ibragimova Death And The Maiden
Schubert, Barber, Mozart
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