Cast: Christine'a Rainey, Christopher Rainey, P.J. Rainey
Director: Jonathan Olshefski
Genre: Documentary, Family, Music
Running Time: 105 minutes
Synopsis: This intimate chronicle of an African-American family in Philadelphia spans eight years, beginning at the dawn of the Obama presidency. Parents Christopher Quest Rainey, and Christine'a "Ma Quest" Rainey navigate the hardship and strife that grips their North Philly neighborhood as they raise their children, and cultivate a creative sanctuary for their community in their home music studio. This tender portrait of the Rainey family is both a vivid illumination of race, class and life in modern day America, and an inspirational testament to love, healing and hope.
Quest
Release Date: December 27th, 2017 (one week only at ACMI)
This film started off as a chance encounter while I was teaching a photography class in North Philadelphia a few blocks away from the Raineys' home/music studio. It is a reflection of a relationship. It mirrors the friendship that I have developed with the Rainey family and their community over the last ten years. That friendship is the most precious thing to me"the film and all that comes from it is a bonus.
I came to Philadelphia in 2000 after growing up in Pittsburgh. Pittsburgh is a relatively diverse town and is pretty integrated. I went to elementary school in the -80s and -90s and old school hip hop was just a part of the culture I was immersed in, even though I liked oldies at the time. Many of my classmates, my bus drivers and the recess ladies wore the gear and sang the songs. I loved so many of them and thus was imprinted positively by that world. When I came to Philly to go to Temple University I fell in love with the city, but recognised that many of its communities we really struggling. I was surprised by how segregated it was with its stark barriers between communities of different races and ethnicities. It was a contrast to my experience in Pittsburgh. I had a deep desire to see healing and connection across these artificial barriers and after graduation was searching for opportunities to make that happen. At the time, I was making experimental films and getting into photography of interesting spaces (abandoned warehouses and buildings etc.), but did not see any correlation between my art and my desire for connection. I had no interest in documentary.
When I first met Chris and Christine'a Rainey (Quest and Ma Quest), I was working construction and making art on the side. When I learned about Quest's balancing of the studio and the paper delivery route I saw myself. I could relate to the juggle of the passion project and the day job. We began a photo essay project that would convey that dynamic, which lead to me sleeping in their studio in order to be up and ready to join the paper route at 3am. After spending so much time with the Raineys and their community, I quickly realized that the essential story was not the studio and the paper route, but the family and their community. I also began to realize the limits of still photography and want to find another medium that would better reflect the complexity and points of view of my subjects. This lead to the decision to make my first documentary film.
Over the years I have often been asked, 'What right do you have, as a white man, to make a film about a Black community?" I don't know if I am the one to answer that question. I made the film and I stand by my choices, but I don't think I have any inherent right and I am very aware of the long history of privileged filmmakers going into communities that are not their own to take stories and craft them for other audiences outside of the community. This can be an incredibly destructive process and marginalise the place and its people, especially when it is a place that was already marginalised.
Stories are incredibly powerful. Who tells them, how they are told, and who they are told to is important.
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