Shortlisted for the 2010 CAL Scribe Fiction Prize 2010
A stunningly original work of speculative fiction, Black Glass reveals a first-world city increasingly dominated by surveillance, segregation and civil unrest.
Tally and Grace are sisters living an itinerant life on the outskirts of society, being dragged from one no-hope town to the next by their drug-dealing father. When an explosion literally rips their lives apart, killing their father and leaving a stricken Grace with the belief that her sister is dead, both girls flee separately to the city.
The girls have always imagined that beyond the remote badlands ('the Regions') lies another, brighter world: glamorous, promising, full of luck. A place that one day, they've assured each other, will be their shared destination. But as each soon discovers, if you arrive there broke, homeless and alone, this mythical city is a dangerous place - a place where commerce and surveillance rule, and undocumented people ('undocs') like themselves are confined to life's shady margins.
Stylistically inventive and told in a number of voices, including a 'moodie' (someone who alters the 'mood' of a venue or city street), a journalist sick of churning out journotainment, and unidentified members of the anti-government protests, Black Glass has echoes of Catherine O'Flynn's prize-winning What Was Lost.
Meg Mundell has been published widely in Australian newspapers, journals and magazines, including The Age, The Monthly, Meanjin, Best Australian Stories, Sleepers Almanac and The Big Issue. Black Glass won the 2008 D.J. (Dinny) O'Hearn Memorial Fellowship and was shortlisted for the 2010 CAL Scribe Fiction Prize. She is now completing a memoir on trucking culture, titled Braking Distance. Meg has worked as a journalist, university lecturer, magazine editor, researcher and government advisor. Originally from New Zealand, Meg now lives in Melbourne.
Black Glass
Scribe Publishing
Author: Meg Mundell
Price: $32.99
Question: What inspired you to write Black Glass?
Meg Mundell: The relationship of the two sisters, the characters themselves came to me first - they were the inspiration, themselves.
Question: Can you talk about creating the character, Grace?
Meg Mundell: A funny thing happens once you start writing a book or a story, I've found. When you are writing and things start going well the characters start doing things for themselves, they start moving around by themselves and doing and saying things that you don't expect. They begin to take on a life of their own. You have control over your characters in some ways but in some ways they almost take their own control of the situations and form their own characters.
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